162 | David Oster (Todd McFarlane: Like Hell I Won’t)

My Summer Lair Chapter #162: What Is Todd McFarlane’s “Image” In Comics?

A Confession: I have never read an issue of Todd McFarlane’s Spawn and I’ve had since May of 1992 to do so. As you may know, Spawn was among the initial release of comics that launched Image Comics along with Rob Liefeld’s Youngblood, Erik Larsen’s The Savage Dragon, and Jim Lee’s WildC.A.T.s. (Cue the Simpsons Wildcats reference.)

That literal revolution of those wildly popular and profitable gang of artists leaving Marvel to start Image Comics is such a pivotal comic book business moment. It’s like Under Armour today trying to take on Nike and Adidas. I mean really? Can you imagine if somebody tried to start a soft drink to take on Coke and Pepsi?

That’s crazy, right? There are hundreds of legit reasons why to take on the Big 2 in any industry is madness; especially if it’s Marvel and DC. Spider-Man and Batman. Come on man.

Yet…
When we say it can’t be done it’s because fear is a monopoly emotion.
When we say this will fail it’s because we’re flailing.
When we say you will not succeed it means we doubt you
When we say you are not good enough it means we like to settle for good enough.
When we say you’re crazy it’s to dismiss you.

Truth is none of those reasons no matter how legit are reasons to stop or give up or even acknowledge. There will always be critics and it takes no courage to walk the sidewalk…that’s the path laid out for everybody.

And hence the title of David Oster’s documentary Todd McFarlane: Like Hell I Won’t. Todd McFarlane isn’t everybody he is a somebody.

Like Hell I Won’t follows McFarlane as he attempts to publish Spawn 300 making Spawn the longest-running independent comic book series of all time. Through flashbacks Oster’s documentary asks and answers the question how did we get here…how did 300 issues happen? How did we get from crazy to cool?

Featuring interviews with those close to McFarlane, like Marvel’s Joe Q, The Walking Dead creator Robert Kirkman, NFL player Larry Fitzgerald…I mean that list speaks to the size and impact of Todd’s world and work.

Also? Shout Out to producer Tara Ansley for the hockey assist in making this episode happen.

So let’s get into this, shall we? This is my conversation with director David Oster spawned from the documentary Like Hell I Won’t.

Todd McFarlane: Like Hell I Won’t @ WT F

Host Sammy Younan

Recorded: Sunday July 26, 2020 at 6pm EST

#SetTheVCR: July 26-August 1, 2020

Sammy Younan

Girth Radio Presents…

Lotta documentaries this week if only so I maintain my street rep: I keep it real. Ok, that may be terrible but these tv recommendations are not!

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That Batman Joke

Since it’s Comic Con (at Home) and I know many people here have attended that or similar cons in person; especially the panels. But ah: not all panels are created equally; some crash and burn huh Mav.

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#SetTheVCR: July 19-25, 2020

Sammy Younan

Girth Radio Presents…

In a quirky sort of fate, my TV recommendations this week include a Phone Booth and a Kissing Booth. I’m not sure what that says about me but it says something about the tv offerings this week!

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Hidden Gem: Ellis “Lover”

Sammy Younan

Girth Radio Presents…

Like Britney Spears before him, Drake’s success has created a cottage industry of covers most notably Lights who covered 13 tracks from Drake’s Scorpion album. Highly recommended: better than the originals.

Like Drake before her, Taylor Swift’s success has created a cottage industry of covers most notably Ryan Adams who covered 13 tracks from Swift’s 1989 album. Highly recommended: better than the originals.

And now to that Taylor Swift list of cool covers, we add Ellis with her version of Lover.

Thoughts?
Is this better than the original?
Different from the original?

Sammy Baltic Web

Sammy Younan @ W • T • F

#SetTheVCR: July 12-18, 2020

Sammy Younan

Girth Radio Presents…

We still have TV! COVID may have shut down productions worldwide but be thankful my couch companions we still have good tv to watch. Well I mean good is a strong word: so…we still have tv to watch! You’ll be dozing like a cat in a warm Sunbeam in no time.

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The Decision: 10 Years Later

On July 8, 2010 ESPN handed LeBron an hour of prime time television. You don’t need a crystal ball to know where this is going…but it helps.

10 years later LeBron James’ Decision has been durably prophetic. He came into Jordan’s NBA house wearing 23 throwing chalk dust into the air and asked to be recognized as a king…in the absence of any significant championship achievements. Umm, yeah not gonna happen.

If an NBA player wants to leave one team for another team that’s great. Free agency has only been around since 1988; this isn’t some ABA afros era CBA clause. Free agency is a modern condition and fans and franchises are used to this turbulent process. And I mean it’s in the name agency means action or intervention, especially such as to produce a particular effect. Athlete empowerment via free agency is good for the NBA and for players and sometimes it’s good for the fans and franchises.

While a cozy narrative The Decision wasn’t athlete empowerment. This was narcissism and selfishness: a Twitter trailer of who we’d all become. Like the way, we justify douchebag Twitter behaviour in the name of justice or a taking moral stance. It’s never been about those things.

As a franchise player from Ohio LeBron could have overhauled the Cavs into a storied franchise on par with the Celtics, Lakers, and the Bulls. He could. He did not. The Last Dance opened and closed with young “hair Jordan” shortly after being drafted—expressing his vision to transform the moribund Bulls into a prime NBA destination. Six championships later Jordan succeeded; he fulfilled his goal and delivered on his destiny.

Michael Jordan did The Work. He could. He did.

Back then LeBron James overestimated his value and his contributions to the NBA and to pop culture. It’s the equivalent of Hanson thinking they’re on par with Prince or Bowie.

Currently, The Decision stands as an ancient media hieroglyph depicting unfulfilled promise; a rejection of potential; arrogance, and ultimately cowardice. It is a systematic failure on par with Apollo 13 (in spite of these failures like those undaunted astronauts LeBron was also able to “go home”).

Look when a president leaves the White House his reputation begins an earnest renovation and ultimately a restoration. He’s slowly classified as “he wasn’t that bad.” A lot of the bad is completely overlooked in favour of emphasizing the good. (W. Bush is currently going through this process and it’s so disturbing: dude started 2 endless wars. 2! There’s not a lot of good to rebut that.)

However no amount of time; no reputation renovation can salvage The Decision’s ongoing fallout. Universal criticism is warranted for LeBron James (and ESPN): past tense and present tense because that’s where we’re at and why we’re forced to acknowledge it 10 years later. We’ve seen what it has become.

The ultimate legacy of The Decision is that it helped LeBron perfect his infomercial executions cleverly deflecting away from his legion of failures on the basketball court. The Decision is LeBron’s version of Jordan’s “getting cut from his high school basketball team” mythology. The failure of that tv special made him better.

LeBron learned how to control his narrative; unable to win he instead learned how to spin. The primary problem with LeBron controlling the narrative is that he cannot (and should not) be trusted. The spectacle should solely be on the court not off the court: after all, it is called a court for a significant reason: you will be judged by how you play.

And leading up to The Decision LeBron James was found wanting; he was considered a failure. He had seven years in Cleveland yet he failed to deliver championships (plural) how could they be considered great years?

This isn’t even about being compared to Michael Jordan rather it is appreciating the one universal standard for all NBA franchise players. That standard is the same for Kobe Bryant, Kevin Durant, Steph Curry, etc. the onus and pressure is completely on them to deliver consistent greatness.

It’s no different than when Brad Pitt or Tom Hanks is signed to a movie…are there other actors in the film: sure. If the film becomes a box office failure is it those other actors’ fault? No, it’s the responsibility of Tom Hanks or Brad Pitt to deliver a box office hit. LeBron James had no hits when he left Cleveland to go to Miami. We’re not handing out cookies for self-esteem encouragement or valuing participation awards. One simple wonderful NBA standard—deliver consistent greatness—and it does not deviate from era to era.

The Decision’s cataclysmic failures include shifting narrative production from the mainstream media to the player.

(In the old days the mainstream media shaped the American agenda. The editors and producers dictated the issues. Having grown up with that—recognizing the valid potential for control—I have to say that’s a far better system than social media where there is no accountability or trust of any kind.)

Anytime somebody parrots the benign talking points “LeBron has never been in a scandal” or “he opened up I Promise a school for at risk kids” they’ve bought into the narrative that he has craftily been able to sell. We’ve deviated from on court success which is what should be driving marketing and fashioning the ultimate player narrative. NBA mythology is based on what you’re done, not who you are.

That’d be like memorializing Curry as a great NBA player because post-Warriors championship he refused to go to the White House as long as Trump is President. That’s not a thing. It’s not even cool.

Because it was so poorly executed; clearly not well thought-out or well-organized The Decision remains a cautionary tale in this era of outspoken athletes and having a platform. Having a platform is good; what is not good is issuing a terrible product no matter the stance.

Mediocrity is not inspiring. You gotta be good if not great at the gig. The best narrative is winning. Winning is timeless.

And so here we are 10 years later.

Photo Credit: The Cleveland Plain Dealer. (And if you can’t read the fine print above, it states, “Gone. 7 years in Cleveland. No rings.”)

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Listen to My Summer Lair @ W • T • F

Hidden Gem: David Byrne & Brian Eno “Strange Overtones”

Sammy Younan

Girth Radio Presents…

Yo we should talk! U2’s new SiriusXM Channel debuted on July 1st: U2 X-Radio. There’s mixed results with the dedicated bands channels: Tom Petty who is no longer with us just plays a lot of music. Bruce Springsteen’s channel has some cool moments though not enough of em.

However, U2’s channel has actual legit programming: “The Edge’s show, Close to the Edge, will feature the guitarist chatting with fellow musicians like Tom Morello, David Byrne and Carlos Alomar, along with artists and other prominent cultural figures. Bono, meanwhile, will spearhead Bono Calling. According to a press release, that program will “explore seven questions about life, work, hope and the future” with guests; Chris Rock is up first.”

Close to the Edge Edge’s show with David Byrne is staggering. Edge articulates the threats and suggestions in One. Like what a great phrase. (It makes more sense if you listen to it.)

Both him and Byrne I’ve never heard them discuss their music or their creative process that way. It’s an incredible conversation. It’s GOAT talking to GOAT: we just saw this in The Last Dance with Bird and Jordan. Jordan’s ability to succinctly distill and express his philosophy notable in the “look winning has a price” powerful scene is impressive: it’s clear what he wants and doesn’t want. And that’s what these two guys who happen to be The Edge and David Byrne are doing here. (I don’t think people fully grasp how rare that is: to properly communicate and establish a personal set of high standards.)

There is a free SiriusXM preview going on right now…I dunno for how long so don’t sleep on this. Get this into your life. I listened to that interview twice. Which is what prompted this Hidden Gem. Edge asked David about working with Brian Eno and after David answered dropped this fantastic tune from 2008’s Everything That Happens Will Happen Today.

“Strange Overtones in the music you are playing
We’re not alone
It is strong and you are tough
But a heart is not enough.”

Oh Yes. Excellent Summer jam.

Sammy Baltic Web

Sammy Younan @ W • T • F

#SetTheVCR: July 5-11, 2020

Sammy Younan

Girth Radio Presents…

More comic book tv shows and more NBA: truly we live in a tv age of wit and wonder.

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