189 | Michael Holley (The Big Three: Paul Pierce, Kevin Garnett, Ray Allen, and the Rebirth of the Boston Celtics)

My Summer Lair Chapter #189: What’s Your Favourite Moment Of The Boston Big Three Era?

On July 31, 2007, the Boston Celtics traded for Kevin Garnett to solidify their Big Three. As a team they’d go on to win 1 championship while contributing to Boston’s dynasty mythology across all sports. (Though that’s mostly Tom Brady’s work.)

Written by Boston sportswriter Michael Holley; The Big Three is his 7th book having previously written about Brady, Belichick and the Red Sox.

Michael Holley is man with a Christian faith and that faith makes him an ideal sports writer.

As an analogy spiritual faith mirrors the passion and joy fans have for their NBA team. And yet for all the hope and faith and prayers—answered and unanswered—for all the preaching and teaching; the burden of prophecy and the weight of legacy: sometimes a team needs a miracle. Or two. Or three.

Miracles are spiritual surprise parties and in sports miracles are so uplifting.

And the way it all happened in this book The Big Three first with the Celtics being sold, new owners…hiring Danny Ainge…right up to the trades to assemble the championship winning team really was a miracle.

So I guess this book and this My Summer Lair conversation is the autopsy of a miracle.

Michael Holley @ WT F

Host & Photography Sammy Younan

Recorded: Tuesday February 18, 2021 at 5:30pm

Stress free pop culture tastefully harvested for your divine delight. Once a week a carefully curated edition of My Pal Sammy goes directly to your inbox. Sign up for my newsletter because the F in FOMO doesn’t stand for Fun.

189 | Michael Holley (The Big Three: Paul Pierce, Kevin Garnett, Ray Allen, and the Rebirth of the Boston Celtics)

My Summer Lair Chapter #189: What’s Your Favourite Moment Of The Boston Big Three Era?


On July 31, 2007, the Boston Celtics traded for Kevin Garnett to solidify their Big Three. As a team they’d go on to win 1 championship while contributing to Boston’s dynasty mythology across all sports. (Though that’s mostly Tom Brady’s work.)

Written by Boston sportswriter Michael Holley; The Big Three is his 7th book having previously written about Brady, Belichick and the Red Sox.

Michael Holley is man with a Christian faith and that faith makes him an ideal sports writer.

As an analogy spiritual faith mirrors the passion and joy fans have for their NBA team. And yet for all the hope and faith and prayers—answered and unanswered—for all the preaching and teaching; the burden of prophecy and the weight of legacy: sometimes a team needs a miracle. Or two. Or three.

Miracles are spiritual surprise parties and in sports miracles are so uplifting.

And the way it all happened in this book The Big Three first with the Celtics being sold, new owners…hiring Danny Ainge…right up to the trades to assemble the championship winning team really was a miracle.

So I guess this book and this My Summer Lair conversation is the autopsy of a miracle.


189_Michael Holley_NBA.jpeg

Michael Holley @ WT F

Host & Photography by Sammy Younan

Recorded: Thursday February 18, 2021 at 5:30pm (EST)

182 | Pete Croatto (From Hang Time to Prime Time: The Birth of the Modern-Day NBA)

My Summer Lair Chapter #182: How Did The NBA Evolve From Hang Time To Prime Time?

This will be another NBA episode though not focusing so much on a team or certain players but rather the league itself.

Journalist and writer Pete Croatto has written From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA. This book is delicious I consumed it whole like a python.

There’s a reason why when you go see like a Marvel movie, there’s 10 minutes of credits, right? Because there’s a lot of people who made that movie, yet what we tend to focus on or talk about is Robert Downey Jr or Kevin Fiege, or like a handful of stars in front of the camera. Yet without those 10 minutes of credits the Marvel movie is not possible.

So let’s look back to so we can look ahead: From Hang Time to Prime Time is like the NBA’s high school yearbook. Pete’s book deftly documents the corporate rise of the NBA: a league that wasn’t popular much less cool compared to the NFL and MLB. Hard to believe.

Imagine sitting down and talking to the people in those 10 minutes of Marvel’s movie credits: they made it happen. Who in the NBA should get credit for making magic happen even though most of us only know Michael Jordan?

Through many stories and many experiences and many moments Hang Time focuses on the NBA’s cultural transformation and growth especially in the 70s and 80s though thankfully unlike a yearbook there isn’t that many bad hair photos. I’m not sure how we should classify Commissioner David Stern’s mustache.

Kobe’s sudden death was proceeded by David Stern’s death: both in January 2020. Those two deaths formed fascinating bookends of the NBA that was and the NBA that is. On every tombstone you get that dash between dates but that dash can mean so so much. That tiny dash signifies a life though it fails to convey the whole story.

So let’s start there with those 2 significant bookends: Kobe Bryant and David Stern. Because we know Stern and we know Kobe and we know one of them is Prime Time and the other is Hang Time. Heh you can decide which is which.

Pete Croatto @ WT F

Host & Photography Sammy Younan

Recorded: Tuesday December 29, 2020 at 4pm

Stress free pop culture tastefully harvested for your divine delight. Once a week a carefully curated edition of My Pal Sammy goes directly to your inbox. Sign up for my newsletter so we can have some fun…Hang Time!

182 | Pete Croatto (From Hang Time to Prime Time: The Birth of the Modern-Day NBA)

My Summer Lair Chapter #182: How Did The NBA Evolve From Hang Time To Prime Time?


This will be another NBA episode though not focusing so much on a team or certain players but rather the league itself.

Journalist and writer Pete Croatto has written From Hang Time to Prime Time: Business, Entertainment, and the Birth of the Modern-Day NBA. This book is delicious I consumed it whole like a python.

There’s a reason why when you go see like a Marvel movie, there’s 10 minutes of credits, right? Because there’s a lot of people who made that movie, yet what we tend to focus on or talk about is Robert Downey Jr or Kevin Fiege, or like a handful of stars in front of the camera. Yet without those 10 minutes of credits the Marvel movie is not possible.

So let’s look back to so we can look ahead: From Hang Time to Prime Time is like the NBA’s high school yearbook. Pete’s book deftly documents the corporate rise of the NBA: a league that wasn’t popular much less cool compared to the NFL and MLB. Hard to believe.

Imagine sitting down and talking to the people in those 10 minutes of Marvel’s movie credits: they made it happen. Who in the NBA should get credit for making magic happen even though most of us only know Michael Jordan?

Through many stories and many experiences and many moments Hang Time focuses on the NBA’s cultural transformation and growth especially in the 70s and 80s though thankfully unlike a yearbook there isn’t that many bad hair photos. I’m not sure how we should classify Commissioner David Stern’s mustache.

Kobe’s sudden death was proceeded by David Stern’s death: both in January 2020. Those two deaths formed fascinating bookends of the NBA that was and the NBA that is. On every tombstone you get that dash between dates but that dash can mean so so much. That tiny dash signifies a life though it fails to convey the whole story.

So let’s start there with those 2 significant bookends: Kobe Bryant and David Stern. Because we know Stern and we know Kobe and we know one of them is Prime Time and the other is Hang Time. Heh you can decide which is which.


182_Pete Croatto_POST.jpg

Pete Croatto @ WT F

Host & Photography by Sammy Younan

Recorded: Tuesday December 29, 2020 at 4pm (EST)

NBA Playoffs 2020: Bubble Over!

Well, that’s that: the NBA Bubble has popped: the bubble has wrapped.

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The Decision: 10 Years Later

On July 8, 2010 ESPN handed LeBron an hour of prime time television. You don’t need a crystal ball to know where this is going…but it helps.

10 years later LeBron James’ Decision has been durably prophetic. He came into Jordan’s NBA house wearing 23 throwing chalk dust into the air and asked to be recognized as a king…in the absence of any significant championship achievements. Umm, yeah not gonna happen.

If an NBA player wants to leave one team for another team that’s great. Free agency has only been around since 1988; this isn’t some ABA afros era CBA clause. Free agency is a modern condition and fans and franchises are used to this turbulent process. And I mean it’s in the name agency means action or intervention, especially such as to produce a particular effect. Athlete empowerment via free agency is good for the NBA and for players and sometimes it’s good for the fans and franchises.

While a cozy narrative The Decision wasn’t athlete empowerment. This was narcissism and selfishness: a Twitter trailer of who we’d all become. Like the way, we justify douchebag Twitter behaviour in the name of justice or a taking moral stance. It’s never been about those things.

As a franchise player from Ohio LeBron could have overhauled the Cavs into a storied franchise on par with the Celtics, Lakers, and the Bulls. He could. He did not. The Last Dance opened and closed with young “hair Jordan” shortly after being drafted—expressing his vision to transform the moribund Bulls into a prime NBA destination. Six championships later Jordan succeeded; he fulfilled his goal and delivered on his destiny.

Michael Jordan did The Work. He could. He did.

Back then LeBron James overestimated his value and his contributions to the NBA and to pop culture. It’s the equivalent of Hanson thinking they’re on par with Prince or Bowie.

Currently, The Decision stands as an ancient media hieroglyph depicting unfulfilled promise; a rejection of potential; arrogance, and ultimately cowardice. It is a systematic failure on par with Apollo 13 (in spite of these failures like those undaunted astronauts LeBron was also able to “go home”).

Look when a president leaves the White House his reputation begins an earnest renovation and ultimately a restoration. He’s slowly classified as “he wasn’t that bad.” A lot of the bad is completely overlooked in favour of emphasizing the good. (W. Bush is currently going through this process and it’s so disturbing: dude started 2 endless wars. 2! There’s not a lot of good to rebut that.)

However no amount of time; no reputation renovation can salvage The Decision’s ongoing fallout. Universal criticism is warranted for LeBron James (and ESPN): past tense and present tense because that’s where we’re at and why we’re forced to acknowledge it 10 years later. We’ve seen what it has become.

The ultimate legacy of The Decision is that it helped LeBron perfect his infomercial executions cleverly deflecting away from his legion of failures on the basketball court. The Decision is LeBron’s version of Jordan’s “getting cut from his high school basketball team” mythology. The failure of that tv special made him better.

LeBron learned how to control his narrative; unable to win he instead learned how to spin. The primary problem with LeBron controlling the narrative is that he cannot (and should not) be trusted. The spectacle should solely be on the court not off the court: after all, it is called a court for a significant reason: you will be judged by how you play.

And leading up to The Decision LeBron James was found wanting; he was considered a failure. He had seven years in Cleveland yet he failed to deliver championships (plural) how could they be considered great years?

This isn’t even about being compared to Michael Jordan rather it is appreciating the one universal standard for all NBA franchise players. That standard is the same for Kobe Bryant, Kevin Durant, Steph Curry, etc. the onus and pressure is completely on them to deliver consistent greatness.

It’s no different than when Brad Pitt or Tom Hanks is signed to a movie…are there other actors in the film: sure. If the film becomes a box office failure is it those other actors’ fault? No, it’s the responsibility of Tom Hanks or Brad Pitt to deliver a box office hit. LeBron James had no hits when he left Cleveland to go to Miami. We’re not handing out cookies for self-esteem encouragement or valuing participation awards. One simple wonderful NBA standard—deliver consistent greatness—and it does not deviate from era to era.

The Decision’s cataclysmic failures include shifting narrative production from the mainstream media to the player.

(In the old days the mainstream media shaped the American agenda. The editors and producers dictated the issues. Having grown up with that—recognizing the valid potential for control—I have to say that’s a far better system than social media where there is no accountability or trust of any kind.)

Anytime somebody parrots the benign talking points “LeBron has never been in a scandal” or “he opened up I Promise a school for at risk kids” they’ve bought into the narrative that he has craftily been able to sell. We’ve deviated from on court success which is what should be driving marketing and fashioning the ultimate player narrative. NBA mythology is based on what you’re done, not who you are.

That’d be like memorializing Curry as a great NBA player because post-Warriors championship he refused to go to the White House as long as Trump is President. That’s not a thing. It’s not even cool.

Because it was so poorly executed; clearly not well thought-out or well-organized The Decision remains a cautionary tale in this era of outspoken athletes and having a platform. Having a platform is good; what is not good is issuing a terrible product no matter the stance.

Mediocrity is not inspiring. You gotta be good if not great at the gig. The best narrative is winning. Winning is timeless.

And so here we are 10 years later.

Photo Credit: The Cleveland Plain Dealer. (And if you can’t read the fine print above, it states, “Gone. 7 years in Cleveland. No rings.”)

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Listen to My Summer Lair @ W • T • F

#CouchWorthy: LA Originals

We lost Kobe on January 26, 2020.

Thankfully there’s a few hours of Kobe Bryant just sitting there in editors’ rooms from all the docs he’s been in. Wonder what’ll happen to it now?

His next appearance is in the doc that dropped today on Netflix: LA Originals. (I was already in before the Kobe connection. He’s listed in the credits for this doc but he’s not in the trailer. So I suspect he is probably not in this all that much. Still, it’s a powerful LA story so of course, LA stories go through Kobe. Kobe’s next appearance is in the upcoming Jordan doc The Last Dance in about a week or so. That I cannot wait for!!)

So for true: there’s a handful of hours of Kobe in docs just sitting around editing rooms. Dude’s gone but he hasn’t left.

Thus enter Netflix’s latest documentary: “An exploration of the culture and landmarks of the chicano and street art movement that cemented Mister Cartoon and Estevan Oriol’s status as behind-the-scenes hip hop legends.”

LA Originals is indicative of a powerful skill set that we rarely discuss or acknowledge. (And thankfully many of my friends have this skill set.)

I don’t even know what it’s called which is why I don’t think It gets acknowledged.

Those guys (and we) are passport people. We hang out with gang members and drug dealers and Trump voters and filmmakers and stand-up comics an incredibly broad range of distinct characters. But through it all we remain our unique selves within these different cultures. That’s how you get exposed to radical ways of thinking; nobody said anything about agreement. George is different than Kramer and Kramer is the opposite of Elaine but it all works right?

One day in LA my friend J Rock and I hit up the Magic Castle hanging out with magicians; then the next day we went to a picnic with some friends who’re editing and shooting and doing all kinds of fantastic LA filmmaking; the day after that we went to NASA’s Jet Propulsion Laboratory. Completely distinct cultures of science and nerds and magicians and filmmakers. Yet we’re comfortable and we’re at home if not at all of those places with all those people even though those are not our cultures.

And that to me that is one of the hallmarks of an incredible documentary: how broad the culture is. LA Originals has Ryan Phillippe and you wouldn’t expect him to show up with Kobe and oh Brian Glazer…Blink-182 and finally Cypress Hill. What?! Those guys should never be in the same room together yet clearly because of the people involved in this doc they’re all connected. That’s amazing. Passport People for the win.

Check this documentary out. Highly Recommended.

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Sammy Younan is the affable host of My Summer Lair: think NPR’s Fresh Air meets Kevin Smith: interviews & impressions on Pop Culture.

#CouchWorthy: LA Originals

Sammy Younan

Girth Radio Presents…

We lost Kobe on January 26, 2020.

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New Book Alert: February 10-14, 2020

My weekly collection of new and notable books for your pop culture pleasure and edification: #ReadMoreTweetLess.

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Solo Efforts Makes A Community

By the way…we’ll talk about Picard in a moment however can we talk about me for a moment?

The My Pal Sammy episodes…the solo ramblings podcasts I record? They are actively and consistently downloaded all this past month.

I just record them and post em. I don’t promote them or really mention them. (My Pal Sammy: Kobe Bryant (RIP Black Mamba) one was the first one I sorta promoted via the My Pal Sammy newsletter.)

It’s shocking to me. It means a) people are googling the most random stuff and it is coming up and 2) people seem to dig em? Is that how I’m supposed to read that?

In a month I posted 2 brand new interviews/episodes My Pal Sammy: Round 2 Episode 2 (The Chosen 3) podcast was my second most consumed episode for January. And in the UK as well as across America.

Super strange.

I don’t know how the internet works.

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